Home / Laureates / Asimina Katerini
Portrait of Asimina Katerini
Laureate

Asimina Katerini

Greece

Asimina katerini was born in Heraklion, Crete. She studied piano and advanced theory at the Philippos NakasConcervatory and music cmposition at the Hellenic Conservatory of Athens with composer and conductor Theodore Antoniou. Her works have been awarded and performed at the Athens Concert Hall and Thessaloniki Music Hall. She continues her studies in composition with composer an conductor Manos Panayiotakis.

Latest Recognition
  • Platinum Winner
COMPOSITION
Fenix Award International Music Competition — 3/2026
Awards & Recognitions

A timeline of recognition

Fenix Award International Music Competition — 3/2026
COMPOSITION
''Tetraktys'' is divided into two categories, or "worlds." The first category, or "world," assigned to the string instruments, is centered on the Monad, the single note (first and third movements). Here, the concept of the Monad symbolizes the metaphysical and the unknowable, the coexistence of Good and Evil, as well as the higher cosmic consciousness, the Divine, and the Infinite. The second category, or "world," entrusted to the wind instruments, gradually unfolds as each instrument enters, eventually presenting all twelve pitches. It symbolizes the material world: mortality, sin, and humankind. The human dimension of the work is expressed through the tragic nature of human existence, earthly passions, suffering, and death. In essence, Tetraktys symbolizes humanity's opening toward—and attunement with—another dimension, the Universe itself. The work incorporates the Orphic Hymn to Uranus.
  • Platinum Winner
BACH International Music Competition — 3/2026
Composition · I
''Emmoni'' (Obsession)
  • First Prize with Special Mention
Classical Music Stars — 3/2026
COMPOSITION
Asimina Katerini – Emmoni (Obsession) For violin, viola, cello, and double bass Duration: approximately 10–12 minutes Emmoni (Obsession) is a chamber music composition for string quartet consisting of violin, viola, cello, and double bass. The work is constructed from a limited set of five pitches (A–E), creating an atmosphere of psychological tension and persistent unease. The inspiration for the piece came from a deeply personal experience: watching my uncle suffer from head cancer and witnessing the intense pain he endured as he held his head. This image remained fixed in my mind and led to the concept of Emmoni—an obsessive musical idea developed through the deliberate restriction of musical material to only five notes. The constant return to this limited pitch set reflects the nature of obsession itself: repetitive, inescapable, and emotionally charged. In the final measure, the music comes to an abrupt stop, symbolizing death and the moment when the soul leaves the body. Emmoni was performed and received an award at the Athens Concert Hall in 2008 under the direction of Theodore Antoniou.
  • 1st Prize