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Portrait of Joel Pae
Laureate

Joel Pae

USA

Joel Pae is a U.S. composer, pianist and violinist currently based in South Korea. He is a junior at Korea International School, where he studies classical music and composition in addition to academic coursework. He enjoys exploring orchestral and chamber works particularly in the Romantic or early-modern era, which he seeks to incorporate in his own compositions with an individual style. His compositions include Nihilestro e il Fulmine (a piano sextet), a Triple Concerto, a Symphonic Poem (Zeitvogel), and many more. He is currently working on orchestrating a Bortkiewicz Prelude and creating a piano concerto inspired by Henselt and Liszt. Joel's music has been recognized in competitions such as the Debussy International Music Competition and his school's composition festival (KIMEA). He has also received offers of interest from the Southern Symphony Orchestra based in Missouri, which is considering his music for future programming. Joel seeks to combine traditional tonality with personal narratives, themes, and innovative structures. Outside of composition, he is captain of his school's Quiz Bowl team, where he specializes in science and classical music. He can be reached at joelpae0@gmail.com or +82 10 5449 9259.

Latest Recognition
  • 1st Prize with Special Mention
COMPOSITION
Classical Music Stars — 3/2026
Awards & Recognitions

A timeline of recognition

Classical Music Stars — 3/2026
COMPOSITION
Piece Title: Symphonic Poem No. 1 in B Minor - "Zeitvogel" Composer: Joel Pae
  • 1st Prize with Special Mention
Ravel Award International Music Competition — 2/2026
COMPOSITION · F
Symphonic Poem in B Minor - "Zeitvogel"
  • Platinum Prize
Brahms International Online Music Competition — 3/2026
COMPOSITION
1. Symphonic Poem No. 1 in B Minor - "Zeitvogel" Zeitvogel is a symphonic poem exploring conflict and time within forces beyond humanity's control. Through three connected sections, the work moves from a struggle against nature, to the turbulence of inner emotion, and finally to a metaphysical confrontation with fate and the universe. Recurring distortion of themes, chromatic ascents, osinatos, and large orchestral climaxes create a cyclical sense of resolution with a lush, grandiose background, while the "Bird of Hours" (Zeitvogel) symbolizes the duality of time itself: transformation from chaos to concordance with differing emotional moods juxtaposed with a constant sense of movement with the unchanging 9/16 time signature.
  • Gold Award