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Portrait of Lorenzo Lionello
Laureate

Lorenzo Lionello

Italia

Lorenzo Lionello is a talented 18-year-old Italian musician with considerable experience in the music industry despite his young age. He is currently studying composition at the Giuseppe Verdi Conservatory in Turin and saxophone at the Cavour Classical and Musical High School in Turin. Lorenzo is a saxophonist, composer, and educator, known for his excellent interaction and coordination skills with colleagues and collaborators. With many years of experience in the music sector, he is sociable and highly motivated to achieve results. He has developed an in-depth knowledge of instrumentation and orchestration techniques, excellent communication and memorization skills, and proficiency in using computer tools and new technologies for music creation, editing, and post-production. These tools include Musescore, Finale, Cakewalk, Reaper, Dorico, and Pure Data. He has already collaborated with renowned artists, including Vinicio Capossela, and has worked as a transcriber for the State Archives of Turin and as a composer for the Voglino publishing house. His first printed works will be published in January 2025. Lorenzo also boasts various musical and educational collaborations with different musicians and orchestras, serving as a saxophonist, conductor, and arranger. With a promising future ahead, Lorenzo continues to passionately dedicate himself to his artistic and professional growth.

Latest Recognition
  • First Prize with Special Mention
COMPOSITION
BACH International Music Competition — 2/2024
Awards & Recognitions

A timeline of recognition

BACH International Music Competition — 2/2024
COMPOSITION · G
Rapso - Saxophone quartet
  • First Prize with Special Mention
World's Best Musicians Competition — 3/2024
Composer
“Rapso” is a saxophone quartet that musically represents a rhapsodic attack of a hurricane. The first movement, “Rapso,” juxtaposes everyday life with disaster. The second movement, “Cyclogenesis,” portrays uncertainty where every being grapples with fear in the darkness. The third movement, “Quite,” appears to follow rules and daily normalcy. The fourth movement, “Genesis,” brings back fear, foreshadowing a fifth and final movement titled “Apogee,” which represents the peak of rhapsodic destruction.
  • 1st prize
Global Young Musicians Competition — 1/2024
Composition · F: 17-19
Rapso - for saxophone quartet
  • Platinum Award