Yves Stilmant

"Ascension"

"Titan's Awakening" (a symphonic work structured around motivic development, dynamic contrast, and a continuous build of orchestral tension leading to a climactic release)

"Bagatelle" "Titan's Awakening"

"Bagatelle" This Bagatelle reflects the balance and clarity characteristic of Classical-era keyboard writing. Built upon symmetrical phrasing and well-defined cadences, the piece emphasizes elegance of line and transparency of texture. A clear bass movement supports a lyrical upper voice, where ornamentation is used with restraint and articulation remains central to expression. The harmonic language remains faithful to classical conventions, avoiding excess while allowing natural expressive flow. The work aims not at grandeur, but at proportion — seeking fluency within the stylistic framework associated with Mozart’s keyboard idiom.

“Polonaise Waltz” is a graceful and elegantly sculpted light-classical work that blends the charm of 19th-century salon music with the clarity and balance reminiscent of the Classical era. Built on a lyrically expressive theme, the piece unfolds with natural poise and refined orchestral color, inviting the listener into a world of warmth, movement, and melodic purity. The work’s structure emphasizes clarity and symmetry, allowing the central melody to shine while gently supported by flowing harmonic motion and delicate ornamental writing. While the spirit of the dance remains present throughout, the piece transcends pure formality to evoke a sense of nostalgia, tenderness, and quiet celebration. Its accessible character and transparent textures reflect a deep respect for classical tradition, while its emotional grace speaks to a contemporary sensibility.

Arakai

"Prologue (Movement I)", inspired by Igor Stravinski and John Williams